注释,注释: The novel "The Ocean at the end of the Lane" sheds light on the children's view of the world and the unique perception of reality, which is completely different from the perception of adults. The object of the study is the manifestations of memory impairment in the novel. The subject is the analysis of changes in memory with age, as well as its role in overcoming stress caused by trauma. The purpose of the article is to understand, in the light of personality psychology and memory research, how and why the memories of the child protagonist change and merge with the imagination as the narrative changes. This helps to identify oppositions of imagination and reality in the novel, which echoes the perception of the world by the main character-a child in parallel with the perception of the world by adults. The novelty of the research lies in the fact that psychological research is used in the article in order to show how magical realism reflects the problem of memory changes in the novel "Ocean at the End of the Lane", and, therefore, provides a basis for further opportunities to study children's magical perception, realistic memory in postmodern novels. The results of the study demonstrate to what extent the style of magical realism expresses the transformation of mental abilities and perception of reality during the transition from childhood to adulthood in the novel. In this sense, "The Ocean at the end of the Lane" is an image of the world seen both from the point of view of adult life and from the point of view of childhood.

注释,注释: This article carries out comparative literary research of the short story "The Lady with the Dog" by the Russian writer Anton Chekhov and the novel “The Great Gatsby” by the American writer F. Scott Fitzgerald for determining the possible mutual influence between these two authors and their works. For achieving the set goal, the article reveals the most significant similar incidents and differences in relation to the aspects of love, ego, and trauma that were selected for the analysis. The comparison relies on the Freudian view of love and trauma in order to analyze the psychological struggle after the loss of love experienced by the protagonists of the aforementioned literary works – Gurov and Gatsby. The scientific novelty consists in comprehensive comparison of the theme of love between the authors and their protagonists, as well as with the protagonists themselves. Unlike other existing scientific works, this publication compares the psychological aspects of not only love, but the trauma and ego of Gurov and Gatsby as well, revealing the similarities and differences between the aspects of love, ego and trauma alongside their perception by the protagonists. Both main characters fall in love with the women who are married to other men. Thus, they both have experienced a traumatic situation they could not cope with. The research sheds light on the similarities between Chekhov and Gatsby and their narrators in both case studies. The acquired results can be applied in practice of literary psychoanalytic criticism, as well as in practice of comparative research.