注释,注释: Conrad's shorter works of fiction are mostly ignored in the formalistic analysis of his critics. Therefore, in order to fill the gap in the literature associated with the narrative structure of Conrad's shorter works, the authors of this article consider in detail the ideas of Genette's narratology for Conrad's story "Youth, Narration". Narratology, the method used in this article, is a science of literature that originated in the works of Russian formalists and is engaged in the systematic study of narratives. The purpose of this science is to identify the basic structures and relationships involved in the creation of history and its meaning. To achieve this goal, the theorists of narratology have introduced and defined a number of language rules that separate all narratives written in all languages. The scientific novelty of the work lies in the fact that in practice the narratological reading of the material is shown, and also shows how the authors apply these structural rules to their texts. Genette, a French narratologist, introduced five narrative categories in his book Narrative Discourse; these categories include Order, Duration, Frequency, Mood, and Voice. This article discusses Genette's narrative categories applied to Joseph Conrad's short story "Youth, Narrative" and identifies the structural nuances of this story in order to help readers in general and those who study literature, in particular, to touch upon a careful reading of Conrad's writing style.

关键词: literature, English, russian, narrative discourse, narrative categories, narrative, russian formalism, Conrad, Genette, Narratology

注释,注释: The article demonstrates how the assemblage technique manifests itself in modern wooden sculptures. The author shows what assemblage is and what is the essence of this method. In addition, close attention is paid to another innovation of avant-garde culture – organic art, according to the philosophy of which the world is represented as an organic whole, a single system with its own laws. By the example of M. Matyushin’s pedagogical system, the natural connection between man and nature in works of art is shown. On the basis of the developed creative method, it is presented how modern art can combine such avant-garde tendencies as, for example, organic art and assemblage. Another important methodology, close to the technique of assemblage, and at the same time bordering on the practices of kinetic art, is the creation of sculptures, the elements of which can be rotated. The synthesis of methods and materials allows us to expand the boundaries of art by introducing non-artistic materials into the creative circulation. The main idea of this approach is to enlarge the context in which the work of art we have created exists, to enrich its history. It is stated that the wooden sculpture provides the creator with ample opportunities for experimentation. The ideas and plots of wooden sculptures embody various ranges of artistic diversity of decorative and applied arts.

关键词: a wooden sculpture, an assemblage, a collage, organic art, artistic creation, Russian avant-garde, Matyushin’s pedagogical school, synthesis of materials, author’s method, decorative and applied arts

注释,注释: The article is devoted to modern trends in the art of wooden sculpture. The main question we ask in this article is how to draw the line between art and craft. The problem of distinguishing between these two terms is one of the important issues in the theory of art. Having examined the work of a number of contemporary artists creating in the genre of wooden sculpture, we come to the conclusion that the key difference between handicraft and artistic wooden sculpture lies in the desire of artists for naturalness, working with raw wood, fixing the natural beauty of the material, which is not so typical for craftsmen. Turning to modern environmental trends, we assume that the task of a contemporary artist and a person who wants to live in harmony with nature is to learn to see its beauty in nature, to guess it even in unsightly forms. The author states that the greatness of nature lies in its diversity, and today, in the era of overproduction, including oversupply of pieces of art, our common task is increasingly reduced to working with objects found in the environment that undergo minimal processing and, first of all, turn, manifest the beauty of nature.

关键词: a craft, Russian peasant creativity, a wooden sculpture, architectural forms, an artist, modern art, aesthetics, trends, woodworking, ecology

注释,注释: The topic of space music requires a new scientific perspective. The goal of this article lies in examination of the historical and social peculiarities of the origin and development of space rock. The article presents futuristic interpretation of musicality of the celestial Universe. The article provides information about selected performers of this direction. Contextually, the article encompasses the stories of JULIAN'S TREATMENT and HAWKWIND. In reconstruction of the chronology for new interpretation, the author avoids repetitions and long descriptions of commonly known facts; aligns the key episodes of narration with the communication lines through the prism of social history; as well as gives assessment to the current situation and forecasts for the future. The recordings of space rock music stored in the audio archives, private collections, museums of music, and other sound libraries comprise the empirical basis for this publication. This article is first to offer periodization of the development of space music. The author’s special contribution of consists in clarification of the chronology of a range of recordings, as well as in familiarization of the audience with other aspects that are combined into a single concept. The provided material is intended for scholars in culture studies, musicologists, historians, archivists, as well as everyone interested in rock music.

关键词: Rock’n’Roll, Universe, Sound Records, Progressive Music, Space Rock, Archives, Titan, Planet, Cosmic Trip, Hawkwind

注释,注释: The research of music of the XX century from the point of view of its connection with folklore is of great interest. The article is devoted to one of the prioritized directions in musicology – to the “composer and folklore” problem. Though this is one of the most important problems of native musicology touched upon in publications by G. Golovinskiy, I. Zemtsovskiy, L. Christiansen, G. Grigoryeva, L. Ivanova, etc., some of its aspects are still not studied enough. Among them is the choral compositions of native composers who create the Russian wedding music. The synthesis of different stylistic tendencies and rite wedding songs leads to the new quality of art thinking and describes a topically special folk genre as an essential field of art marked with genre, style and structural variety, variability of primary sources, as well as originality of methods of their realization.

关键词: regional traditions, folklorized composition, wedding rite, wedding songs, folk genre, choir, folklore, songs, rite, traditions

关键词: 艺术综合, 后现代主义, 合成,合成, 工作表现, 工作表现 艺术, 艺术史, 体裁, 戏剧化, 仪式, 音乐

注释,注释: 本文论述了教科文组织在艺术教育领域的工作。 它考虑了制定这一政策的目标，以及在艺术教育领域的国际合作框架内组织的具体活动。 研究了教科文组织在教育和艺术教育领域的建议文件。 介绍了教科文组织发展艺术教育的方案。 作者指出了在艺术教育领域建立国际合作政策的原因。 根据对教科文组织文件的分析，作者挑出了创建这样一项政策的以下原因：发展人类创造性思维；促进社会和平、容忍和团结；促进可持续发展。 作者还指出了联合国教科文组织文件中概念化的艺术教育的两个功能：艺术教育的工具功能，即它作为教育工具和方法的使用，以及实际上它的建立和平的功能。 作者认为，联合国教科文组织在艺术教育领域制定的文件由于其非义务教育性质，对国家教育计划的影响很小。 与此同时，该文章提请注意在教科文组织主持下实施的具体项目，尽管它们的影响力有限，但效率很高。

关键词: 联合国教科文组织, 国际关系, 联合国教科文组织, 国际关系, 艺术教育, 国际合作, 艺术教育, 国际合作, 艺术, 艺术, 教育, 教育, 建议, 建议, 天文台, 天文台, 原则, 原则, 工程项目, 工程项目

注释,注释: 本文的研究对象是伟大的法国艺术家Albert-Charles Lebourg的艺术作品。 Albert-Charles Lebourg的绘画属于法国印象派的艺术方向。 作者对Albert-Charles Lebourg的作品进行了哲学和艺术历史分析：1）"奥弗涅的雪"（原标题"冬季Pont du Chateau的Allier桥"）（1886）;2）"塞纳河畔"，1889;3）"鲁昂太阳射线中的两艘船"，大约1900。 研究方法论有哲学和艺术历史分析，这是由俄罗斯哲学家和艺术史学家开发的：Danneel Pivovarov，Vladimir Zhukovsky，Natalia Koptseva。 描述艺术史方法的文章艺术作品。 作者用概念分析的方法来揭示法国印象派的哲学起源。 有人提出，印象派首次在欧洲艺术和知识实践中表现出一种新的范式，与克服一个人的内部和外部现实之间的差异有关，发现了表达主要和普遍完整性的艺术形式，在直接经验中给予，并将精神现实分为外部和内部维度。 伟大的法国印象派阿尔伯特-查尔斯*勒布尔对三幅画进行了批判性的艺术分析："奥弗涅的雪"，"塞纳河畔"，"鲁昂太阳射线中的两艘船"，这些画的主要艺术思想 Albert-Charles Lebourg的三幅画作的深刻概念联系被发现，一方面，艺术佛教和艺术心理主义（作为第一次世界大战前欧洲知识生活的邪教（流行）概念）。 结果表明，这位画家的印象派风景创造并传达了最强烈的视觉印象，不仅塑造了视觉现实，而且塑造了整体的心理物理现实，包括视觉感觉立即流动的过程，创造并支持了这种最强烈的印象。

关键词: 艺术研究, 文化研究, 印象派, 绘画作品, 阿尔伯特查尔斯Lebourg, 景观, 艺术哲学, 恩斯特*马赫, 佛教, 视觉思维。