注释,注释: This article discusses the ways to improve the decorative qualities of wood that are known to mankind since the ancient times, as well as the techniques of working with wood that have improved over time. The author underlines the importance of the proper choice of finishing materials, which is intended for not only preserving the cultural sites, but also making a certain aesthetic perception. The choice of materials is substantiated by the nature of wood, as well as the, the conceptual idea of the artist. The article explores the key methods of finishing woodworking in the process of creating the original wooden sculptures. The author lists the main types of wood finishing, as well as some of the original techniques. It is noted that there are various technologies of wood dye. A description is given to the treatment of wooden surface with wax in its traditional and modern form; as well as to some original techniques such as the woodworking affected by bark beetle and glazing. It is stated that the proper glazing gives wood strength and resistance, protecting from various influences and significantly extending its durability. Particular attention is turned to the method of gilding and implementation of this ancient technique in modern wooden sculpture. Recommendations are given for the proper selection of applicators to maintain wood dye.

关键词: pigment, gilding, wax, art, a wooden sculptur, wood, painting, finishing, workin, an artis

注释,注释: 文章概述了克拉斯诺亚尔斯克雕塑学校发展的历史先决条件，突出了主要特征。 基于雕塑家Alexander Tkachuk的创意和教学活动，作为学校的主要教师之一，揭示了方法论指导方针和艺术技巧。 本文的目的是了解克拉斯诺亚尔斯克雕塑学院形成的简要历史先决条件;以Alexander Tkachuk教授的创造性和教学活动为例，研究克拉斯诺亚尔斯克雕塑教学的基本 在文章的工作中，使用了比较，分析一些雕塑作品的方法，观察和具体化的方法。 克拉斯诺亚尔斯克学校作为一个独立的现象没有被充分考虑，这就是为什么该文章的科学新颖性是由于。 克拉斯诺亚尔斯克学校的特点是：对构图的完整性和形式的广义解释的吸引力，轮廓的表现力，节奏的使用，图形技术的使用，生动（表现力）建模的保存，一步 以Alexander E.Tkachuk教授为代表的克拉斯诺亚尔斯克雕塑学院是一个值得注意的现象。 有自己的背景，其特色的方法论指导方针和教学原则。 这种现象在教师的手艺中是活的和发展的，他们将知识传授给学生。

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